The life and art of paul gauguin essay

Essay Topic: Family members,

Paper type: Fine art essays,

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Artwork is said to be the word of the heart and soul, however , often, one is not able to truly know the artist by simply his or her works alone. Therefore is the circumstance of the postimpressionist painter Paul Gauguin. while the paintings of Paul Gauguin do not disclose all of his life, the paintings are very much so a reflection of Gauguin’s views on life.

Eugene-Henri-Paul Gauguin was born about June 7, 1848 in Paris, Portugal Compton’s Encyclopedia 1). The moment Napoleon demolished France’s Second Republic, Gauguin’s father, Clovis, an anti-Bonaparte journalist, relocated his family members to Lima, Peru. On the way to Peru, Clovis died of a heart attack, going out of his partner to support two small children, Paul being the youngest (Harmon 2).

Although Paul went through the child years without a fatherly figure, he adjusted quite well and grew to love Peru. He saw Peru since “a excellent place, unique, racially different, filled with warm and adoring people, colorful”a place that he yearned to experience once again,  (Harmon 2). After four years in Peru, Gauguin’s mother moved the family returning to France. While Paul would still be a young son when his family left for Portugal, his years as a child in Peru later reappeared in many of his art. The savageness that this individual adopted through the Spanish ancestry in Peru explained his view of life by using a canvas and paint.

As Gauguin reached adulthood, this individual married Mette Sopie Gad, a Danish woman, and had four kids with her. He resolved down as a stockbroker in Paris. Besides his function and family members, Gauguin produced a desire for Impressionist art and made that his hobby to collect artwork. This hobby soon distributed as Gauguin began to color as well.

When Gauguin often dreamed of to become full time painter, he clung to his job for the security of his family. If the 1882 stock exchange crashed, Gauguin saw his way out with the entrapment of his job and used painting. Upon his enhancements made on career, his wife left for Denmark and got the children, leaving Gauguin by itself.

The freedom Gauguin now acquired allowed him to concentrate on his paintings entirely. His performs never possibly sparked interest in Paris, a rejection that left Gauguin still unhappy and desiring his residence in Peru. He desperately longed for his personal paradise. Gauguin soon determined that Tahiti would be the place where he can capture the liberty of haven that he remembered by Peru.

As Gauguin reached Tahiti he was terribly disappointed. Missionaries had banned a majority of the natural customs and rituals of the Tahitians. Gauguin wrote to Mette, saying, “They are sweeping away¦the beautifully constructed wording, (Harmon 4). Nonetheless, Gauguin realized that the missionaries got failed to control the savageness of the females. He had taken one of these females, a thirteen- year -old girl, as his partner. Teha’amana, or perhaps Tehura, while she was also known, helped bring great happiness to Gauguin’s life and bore a child. During this time in Tahiti, Gauguin produced such works as “The Moon and the Earth and “The Soul of the Dead Watching which usually expressed the mystery and imaginative lives of these indigenous people. Despite his pleasure and accomplishment in Tahiti, Gauguin rapidly left Teha’amana and Tahiti behind searching for still some thing more (Cleaver, 299).

Back in France, Gauguin set up a studio in the hopes of promoting the sell off of his paintings. He also got a new wife, a thirteen- year “old Javanese woman named Anna. While browsing Brittany with Anna, Gauguin was attacked by a number of locals over a fight in which the locals named Anna a witch. The attack caused Gauguin to break his ankle. While he was hospitalized, Ould – vandalized his studio and was by no means seen again. To complicate matters to get Gauguin, his ankle never completely recovered and he was suffering from secondary syphilis (Harmon 5).

Denial in Portugal once again sent Gauguin returning to Tahiti. Once he delivered, he found that Teha’amana had found another spouse and no much longer wanted to connect with him. Gauguin soon took in fourteen-year-old Pahura in. His health was rapidly declining and started to drink in heavy portions. Gauguin’s art begin to switch dark and dreary. Pahura bore a kid, which just made monetary problems even worse for the struggling designer. Then Gauguin received news that his daughter, Aline, had perished of pneumonia. At the stage of acquiring this meaning, Gauguin gave up hope. “I have lost a daughter. I do not love God any more,  Gauguin said (Harmon 5). He became suicidal and even established a date intended for his personal death.

By his most affordable point, a pregnant Pahura, then 14 left him alone. This individual quickly packed his belongings and moved to Marquesas Island. Fourteen-year-old Marie-Rose Vaeoho, soon came to live with him and bore a kid to him. Gauguin remained in trouble with the French government bodies and Marie-Rose left Gauguin as quickly while she acquired come. Despite his bad luck, Gauguin ongoing to fresh paint.

Gauguin lived his final days on the remote Marquesas Islands (Cleaver 299). On May 8, 1903, Gauguin died alone of syphilis. Having been fifty-five-years-old. Once Gauguin passed away, he was very much in debt. Most of his belongings, including many of his paintings, were auctioned off pertaining to small amounts of money accustomed to pay on his debts.

Even though Paul Gauguin never located the haven of Peru that he searched for, having been able to record Tahiti in the paintbrush. His paintings preserve the true nature of the Tahitian peoples and their way of life. His paintings stand as symbolism of the Southern region Pacific (Harmon 7).

Though Gauguin planned to find respect and acknowledgement in Portugal, this would not occur during his lifetime. Experts at a major exhibition in Paris found out Gauguin’s job three years following his death. Today he can recognized as the most audacious and maybe most inventive of all of the Post-impressionist painters (Harmon 7).

Bibliography:

Works Cited

1 . Cleaver, Dale G. Art: an intro, Fifth Model. (299). Fort Worth: Harcourt Brace School Publishing, 1989.

2 . Compton’s Encyclopedia On the web. “Paul Gauguin. 3. zero. (1998). Net

October thirty-one, 2000. www.comptons.com

3. Harmon, Melissa Burdick. “Tahiti: The Tropical Paradise that Seduced Painter Paul Gauguin. On the net. EBSCHOhost. August 31, 2k.

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