The scaffold scenes inside the scarlet letter

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In Nathaniel Hawthorn’s The Scarlet Letter, the Puritans constantly appearance down after sinners like Hester Prynne, both virtually and figuratively, metaphorically. The use of the three scaffold scenes throughout the course of the story proved to be an efficient method in proving this theory and showing how Puritan world differs from that of today’s.

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In the initial scaffold scene, Hester is being led in the prison in which she has spent the last few several weeks, towards the scaffold clutching her newborn baby with her bosom, within the scarlet letter-the two icons representing real truth and her lost purity. She stands on the scaffold, with the barrister and ministers standing above her for the pulpit, symbolizing that they will continually be closer to The almighty than she could ever always be, however , the reader is unaware that Hester’s minister, Arthur Dimmesdale, who have also stands above her on the pulpit, which is a little bit of dramatic irony, considering the fact that dr. murphy is the father of the infant, and her sharer in her sin. Also during this field, the man the reader comes to find out as Roger Chillingworth skins in the dark areas, looking up for Hester, the evil already swelling within him, blackening his soul.

The events prior to the next scaffold scene, a few years afterwards, are some of the most significant scenes inside the entire book. The treatment of Dimmesdale by Chillingworth, who Dimmesdale had consumed as his physician, performs a key function, due to the fact that Chillingworth’s intentions are much less than real. Chillingworth is usually bent in revenge, and is also willing to do anything necessary, possibly destroy another man’s life in order to calm the fierce, ferocious beast within. However , deap inside Chillingworth’s heart, he realizes that his hunger for revenge will not fade, and one can start to assume that like most villains, Chillingworth wants to always be caught. It can be for this reason that he allows Hester to expose his authentic identity to Dimmesdale, even thought he knows that it could possibly be his demise.

This new information is a shock to Dimmesdale, his doctor, his friend, his confidante was his enemy almost all along. Twisted on vengeance and doing damage to him, Dimmesdale realizes the fact that “Black Man has his soul after all, and if he doesn’t send to his will, his life fantastic reputation can pay the price

Within a daze, puzzled and hurt, Dimmesdale wanders to the place where eight years ago Hester had was clutching the youngster to her bosom, to the scaffold where he really should have stood alongside her dozens of years ago. While standing on the scaffold, his shirt wide open revealing his own scarlet letter towards the world, he looked up in the pulpit in which he had was all those years ago and knows the hypocrisy of his past actions. He realized that he was no nearer to God than Hester, in the event anything having been far lower than she was, for she had the courage to admit with her sins and also to accept her punishment and make the best of that.

The main picture that led up to the third scaffold landscape is the encounter in the forest between Hester and Dimmesdale. During this picture, the last few information surrounding Hester’s situation is definitely revealed. Whilst Pearl plays on the other side of the brook, grooving in the “pure sunlight and reveling in reality, while Hester and Dimmesdale are dropped in their individual fantasy world, dreaming of a life in which their common sins will be forgotten. The key theme of this landscape is that trouble cannot be ignored, but it has to be forgiven through penance and penitence. To get while Hester remains from this fantasy community, free and without inhibitions and the strict honnête instilled simply by Puritan society, her girl Pearl (truth) will not go back to her, because this world that Hester has established is a rest.

From this final scaffold scene, Dimmesdale is getting ready to make a speech honoring the election of the fresh governor, this kind of speech, simply by Puritan standards, marks the height of his career. As Dimmesdale ascends towards the pulpit for the last period he seems anxious and excited, all set to make his peace with God and deliver a strong sermon. However , Dimmesdale understands the hypocrisy in his activities and as he descends from your pulpit, he’s silent and withdrawn, as if all the your life and faith he had on the globe had been exhausted out of him. It really is in this picture that Dimmesdale finally acknowledges Hester and Pearl publicly, he takes them up upon the scaffold with him, and announces to the world what he has been doing, and through this this individual feels that he has endured enough which his mind is clear, and because of this he dead and would go to Heaven, a soul which has been forgiven, leaving Hester and Pearl by itself once again with their grief, and their sin.

These kinds of three scaffold scenes screen the go up of discord, the climax, and the bottom line. All three tie together showing a common topic, truth. The scaffold and those who was standing upon this stood for truth, although those above them judged and those listed below gawked. That serves as a crucial symbol through the entire novel placing apart the sinners and people who would assess them.


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