Women and commodities british materials essay
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Women and Commodities
In the two Jonathan Swift’s “The Lady’s Dressing Room” and Christina Rossetti’s “Goblin Market, inch women will be presented both in a world of commerce so that as commodities themselves, but only Rossetti’s textual content is critical of this formulation. In both poetry, the value of a woman is dictated by her physical appearance, although whereas Fast seems to be fighting that the benefit produced by a beautiful woman exceeds any of the unfavorable or otherwise unsightly elements which usually go into maintaining that beauty, Rossetti shows that the woman who also allows their self to be fooled into thinking that a woman’s value originates from her physical appearance will eventually be doomed to spend away and die. Simply by examining the final outcome of Swift’s poem in conjunction with certain relevant scenes from “Goblin Industry, ” one may see how the previous serves to reinforce the notion that women are essentially semi-autonomous products, existing solely for image consumption, even though the latter endeavors to problem this ideology by suggesting that in matters involving and exchange women will be no more or less goods than guys.
The 1st instance by which “The Woman’s Dressing Room” commodifies ladies comes if the narrator suggests to give “an Inventory” with the various issues Strephon finds in Celia’s dressing area (Swift 10). The poem reduces Celia to a made product, complete with a list of the mandatory ingredients, as though one had been compiling an inventory of all the ingredients necessary for making sausage. As a result, at the outset the poem makes clear the interpretation of women, as any and agency is definitely stripped faraway from Celia. “Goblin Market, ” on the other hand, takes care to establish the fact that two central women will be autonomous, competent people. For example, Laura and Lizzie reside in their own home without any need for male oversight or lasting love, and even after Laura has been fooled into changing with the goblin men, both the sisters remain able to be “neat like bees, as fairly sweet and occupied, ” as they perform all of the duties essential for maintaining their residence and farm (Rossetti 202). Only after Laura has become ill for a long time does the lady finally quit doing this work, and her weakness can be described as direct consequence of her readiness to be commodified (Rossetti 294-299). In Swift’s poem, girls are literally nothing more than visual objects or perhaps maids (in the form of Betty), but in Rossetti’s poem, they are actual people, competent of taking good care of themselves and experiencing a range of feelings and thoughts.
However , this is not to suggest that women are not commodified in “Goblin Market, ” since the goblin guys explicitly strive to commodify ladies. When Laura meets these people and expresses a desire for the fruit they can be selling although she does not have anything, the goblin men allow her (and in fact , notify her) to pay with “a golden curl” and “a split more rare than pearl” (Rossetti 125, 127). After first reading this segment it appears that the goblin men happen to be being gracious by permitting Laura to pay with her body in lieu of money, but their response when Lizzie does turn up with funds reveals that their true desire may be the continued commodification of women, because they violently strike her for supposedly being “proud, / cross-grained, and uncivil” just because she is therefore presumptuous regarding think that it will be reasonable for a woman to get some fruit with real money (Rossetti 495-96). In fact , realizing that the goblin males seem practically exclusively oriented towards commodifying and eventually eradicating women makes Laura’s offer of “a tear even more rare the pearl” much more tragic, as it seems to claim that Laura previously did not cry that often, and that some a part of her basically realizes in the act that she is doing a market that acts to demean and damage women.
Even thought both poems commodify women, the difference between two wasn’t able to be more stark. Swift’s poem attempts to create humor by simply essentially chastising women for participating in all the unattractive, undesired activities essential to attain the conventional of beauty dictated by the hegemony in the male gaze. “Goblin Market” includes the commodification of women explicitly as a method of difficult that ideology, but Swift’s poem serves to successfully reinforce this essentially by pretending to challenge it. The “inventory” of gross things that Strephon discovers could practically be taken as justification to get the ludicrous requirements placed upon ladies, except that the narrator’s final lines serve